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The Bhagavata Purana (Sanskrit: भागवतपुराण; IAST: Bhāgavata Purāṇa), also known as the Srimad Bhagavatam (Śrīmad Bhāgavatam), Srimad Bhagavata Mahapurana[1] (Śrīmad Bhāgavata Mahāpurāṇa) or simply Bhagavata (Bhāgavata), is one of Hinduism's eighteen major Puranas (Mahapuranas) and one of the most popular in Vaishnavism.[2][3] Composed in Sanskrit and traditionally attributed to Veda Vyasa,[4] it promotes bhakti (devotion) towards Krishna,[5][6][7] an avatar of Vishnu, integrating themes from the Advaita (monism) philosophy of Adi Shankara, the Vishishtadvaita (qualified monism) of Ramanujacharya and the Dvaita (dualism) of Madhvacharya.[6][8][9][10] It is widely available in almost all Indian languages.
The Bhagavata Purana is a central text in Vaishnavism,[11] and, like other Puranas, discusses a wide range of topics including cosmology, astronomy, genealogy, geography, legend, music, dance, yoga and culture.[6][12] As it begins, the forces of evil have won a war between the benevolent devas (deities) and evil asuras (demons) and now rule the universe. Truth re-emerges as Krishna (called "Hari" and "Vāsudeva" in the text) first makes peace with the demons, understands them and then creatively defeats them, bringing back hope, justice, freedom and happiness – a cyclic theme that appears in many legends.[13]
The text consists of twelve books (skandhas or cantos) totalling 335 chapters (adhyayas) and 18,000 verses.[14][15] The tenth book, with about 4,000 verses, has been the most popular and widely studied.[4] By daily reading of this supreme scripture, there is no untimely death, disease, epidemic, fear of enemies, etc. and man can attain Bhagwat(god) even in Kaliyug and reach the ultimate salvation.[16][17]It was the first Purana to be translated into a European language, as a French translation of a Tamil version appeared in 1788 and introduced many Europeans to Hinduism and 18th-century Hindu culture during the colonial era.[7][18]
The Bhagavata Purana has been among the most celebrated and popular texts in the Puranic genre, and is, in the opinion of some, of non-dualistic tenor.[19][20] But, the dualistic school of Madhvacharya has a rich and strong tradition of dualistic interpretation of the Bhagavata, starting from the Bhagavata Tatparya Nirnaya of the Acharya himself and later, commentaries on the commentary.
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